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John Michael Wright
The Family of Sir Robert Vyner seated before the garden at Swakeleys
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ID: 48441
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John Michael Wright
English Baroque Era Painter, ca.1617-1694,was a British baroque portrait painter. Wright trained in Edinburgh under the Scots painter George Jamesone, and acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca, and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655. He took up permanent residence in England from 1656, and served as court painter before and after the English Restoration. A convert to Roman Catholicism, he was a favourite of the restored Stuart court, a client of both Charles II and James II, and was a witness to many of the political manoeuvrings of the era. In the final years of the Stuart monarchy he returned to Rome as part of an embassy to Pope Innocent XI. Wright is currently rated as one of the leading indigenous British painters of his generation and largely for the distinctive realism in his portraiture. Perhaps due to the unusually cosmopolitan nature of his experience, he was favoured by patrons at the highest level of society in an age in which foreign artists were usually preferred. Wright's paintings of royalty and aristocracy are included amongst the collections of many leading galleries today. Related Paintings of John Michael Wright :. | The Ladies Catherine and Charlotte Talbot | The Family of Sir Robert Vyner seated before the garden at Swakeleys | Lord Mungo Murray | Elizabeth Claypole | Catherine and James Cecil | Related Artists: Bachiacca Italian painter, Florentine school (b. 1494, Firenze, d. 1557, Firenze). Pietro Da Riminiactive in the first half of the fourteenth century Janos Donat1744-1830
Hungarian
Janos Donat Location
Donat was born in Klosterneuzell in 1744 and learned painting at M. Meytens, V. Fischer and Sambach in Vienna where he lived for some time and later Prague. In Vienna he became interested in painting portraits. After moving to Pest in 1810 he painted some of his most noted classicist portraits such as Ferenc Kazinczy in 1812 and Benedek Virag in 1815.
He was also noted for his compositions such as Resting Venus, Orfeus and Euridike, and Proserpina which were paintings of mythological creatures.
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